Between 1965-1968 Luc Ferrari with his best friend Gérard Patris made a five-part series of documentaries for French tel...
“not to make an analogy between the deconstruction of the center and the organization of the jazz ensemble: …organization is of totality…allows us to think of tonality and the structure of harmony as it moves in the oscillation between voice and voicing, not in the interest of any numerical determination [or] ethico-temporal determination” Moten
看完之后,Cecil Taylor in Paris整体氛围做得可以,属于越往后看越顺的那种,没什么特别硬伤。
朋友推荐的《Cecil Taylor in Paris》太棒了,看完又哭了一遍。
导演的叙事手法独特而巧妙,成功地将观众带入了一个全新的世界。
在紧张刺激的情节中穿插着幽默的对话和场景,为影片增添了不少乐趣。
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