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“In many ways, the film is largely comparable to Ken Jacob's "Window" from two years later, in the sense that both are more just like home movies both filmmakers made in order to imitate the abstract work that came before them. ”
1、APP“美拍”即视感。2、教你如何把温馨的场景拍出恐怖片的气氛。
个人是真的很喜欢这种荧幕每一寸都在喷薄强烈个人美学(细腻的情感完全内化于观看方式之中而显得含蓄、深沉、内敛、隽永)的私人影像。|看Paul Sharits别的没什么,就是容易瞎。
可惜角色塑造流于表面,过于脸谱化,好人一味善良、坏人纯然邪恶,缺失深度挖掘,难以给人留下深刻印象。
情节老套是这部影片硬伤,观影不久便能猜中后续走向,如同嚼蜡般缺乏惊喜,难以勾起深入探究欲望。
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